Santa Clara by Julia Weist and Nestor Siré

For the project 17.(SEPT) [By Weist_Siré Records]™ American artist Julia Weist collaborates with Cuban artist Nestor Siré to interrogate and represent the lack of accessible internet in Cuba and the systemic alternatives that have developed in place of connectivity. The pair presents works created for and about, the most significant of these phenomenon: El Paquete Semanal, a 1 terabyte digital media collection, aggregated weekly and circulated across the country via in-person file sharing.

Since 2015, Siré has been curating art into El Paquete through a project called !!!Sección A R T E (!!!A R T Section), a series of folders updated monthly with original artist projects. The folder follows the rules of the Paquete: it can be no more than 5GB, and must contain no pornography and no political issues. In early 2016 Siré invited Weist to contribute an artwork, the beginning of an ambitious partnership. Over the subsequent year the pair met with Paquete distributors or matrices in every province in Cuba. In these talks they gained an understanding of current trends and processes on a national and local level, including who and what is popular. Weist and Siré also came to know the depth and intricacy of the Paquete networks, including the extent of its economic impact; the Paquete also includes a form of media that has been largely absent in the country for the last half-century, amidst a political regime of aspirational socialism: advertising.

For !!!Sección A R T E, Weist envisioned a conceptual and political insertion: an original video featuring quotidian internet browsing that captures the aesthetic and habitual norms of contemporary internet culture. So as to conform to the strict “no politics” regulations of the Paquete, Weist and Siré sought out celebrities to star in the piece, including the actor Mark Ruffalo, well known to American audiences for wide-ranging roles as well as his political activism, and in Cuba as the Hulk. Beyond capturing the attention of paquete users with an iconic blockbuster film star, the choice to feature celebrities rendered the content chiefly pop cultural and thereby acceptable for inclusion. The circulation of the artwork throughout Cuba is also explored in the exhibition: how the project was promoted by the creators of the Paquete, the edits that accompanied its national distribution, and the response from the Paquete audience.

The centerpiece of 17.(SEPT) [By Weist_Siré Records]™ is a 64 terabyte server containing fifty-two weeks of El Paquete Semanal from August 2016 to August 2017. It is the only comprehensive archive of the Paquete and its construction and deployment was designed around the legal and logistical restrictions of the changing US-Cuba relations over the last year. Weist and Siré contacted every copyright holder represented in the Paquete from the week of August 8, 2016, in an attempt to legalize its contents. Where possible they secured the rights to distribute the same material circulating in Cuba to Queens Museum visitors, free of charge.

Weaving in and out of contrasting political, geographic, economic, cultural, and technological circuits, 17.(SEPT) [By Weist_Siré Records]™ represents a complex examination of the invisible and visible forces that shape our contemporary cultural perspectives.


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