17.(SEPT) [By WeistSiréPC]™
For the project 17.(SEPT) [By WeistSiréPC]™, American artist Julia Weist collaborates with Cuban artist Nestor Siré to analyze creative social strategies in Cuba that have developed in place of internet connectivity. The most significant of these phenomenon, El Paquete Semanal or “the weekly package,” is a 1 terabyte digital media collection, aggregated weekly and circulated across the country via in-person file sharing.
Since 2015, Siré has been curating art into El Paquete through a project called !!!Sección A R T E (!!!A R T Section), a series of folders updated monthly with original artist projects. The folder follows the rules of the Paquete: it can be no more than 5GB, and must contain no pornography and no political issues. In early 2016, Siré invited Weist to contribute an artwork, the beginning of an ambitious partnership. Over the subsequent year, the pair met with Paquete distributors or matrices in every province in Cuba. In these talks they gained an understanding of current trends and processes on a national and local level, including who and what was popular. Weist and Siré also came to know the depth and intricacy of the Paquete networks, including the extent of its economic impact; the Paquete also includes a form of media that has been largely absent in the country for the last half-century, amidst a political regime of aspirational socialism: advertising.
For !!!Sección A R T E, Weist envisioned a conceptual and political insertion, an original video featuring quotidian internet browsing that captures the aesthetic and habitual norms of contemporary internet culture. To conform to the strict “no politics” regulations of the Paquete, Weist and Siré sought out celebrities to star in the piece, including the actor Mark Ruffalo. Beyond capturing the attention of Paquete consumers with an iconic blockbuster film star, the choice to feature celebrities rendered the content chiefly pop cultural and thereby acceptable for inclusion. The circulation of the artwork throughout Cuba is also explored in the exhibition: how the project was promoted by the creators of the Paquete, the edits that accompanied its national distribution, and the response from the Paquete audience.
The centerpiece of 17.(SEPT) [By WeistSiréPC]™ is a 64 terabyte server containing 52 weeks of El Paquete Semanal from August 2016 to August 2017. It is the only comprehensive archive of the Paquete and its construction and deployment was designed around the legal and logistical restrictions of the changing US-Cuba relations over the last year. Weist and Siré contacted every copyright holder represented in the Paquete from the week of August 8, 2016, in an attempt to legalize its contents. Where possible they secured the rights to distribute the same material circulating in Cuba to Queens Museum visitors, free of charge.
Weaving in and out of contrasting political, geographic, economic, cultural, and technological circuits, 17.(SEPT) [By WeistSiréPC]™ represents a complex examination of the invisible and visible forces that shape our contemporary cultural perspectives.
–Queens Museum, September 2017
Julia Weist and Nestor Siré Infomercial, 2017 Single channel video with sound, looping in English 16:48 mins., and Spanish 19:32 mins. Produced in collaboration with ETRES Installation photos: Hai Zhang
Julia Weist and Nestor Siré ARCA, 2016-2017 Mixed material installation including two-channel digital projection, interactive custom digital operating system, 64TB network attached storage device, three-channel digital video with sound, 46:30, 26:42, and 35:45 mins, and magazines. Installation photos: Hai Zhang
Julia Weist and Nestor Siré Promo Manual, 2016-2017 Custom advertising concept and material including signage, tote bags, coffee mugs, hard drives, and USB drives Designed by ETRES Installation photos: Hai Zhang
Julia Weist and Nestor Siré WeistSire PC [Matriz], 2016-2017 Downloadable digital directory of files 124.76 GB Installation photos: Hai Zhang
!!!Sección A R T E [No. 11+Rhizome]
!!!Sección A R T E has many things in common with Rhizome’s The Download, first and foremost that it’s meant to be experienced offline as a digital package. Whereas for The Download this disconnection is a symbolic construction for curatorial and artistic purposes, for !!!Sección A R T E it’s a requirement borne from extensive restrictions on internet access. There are more subtle similarities as well, including an embrace of multi-window presentation and visible technical intention—everything from file naming to directory architecture. Unlike the broader Rhizome platform, !!!Sección A R T E exists within a digital environment but is circulated through physical contact. Material cannot rely on links or streaming and there is no access to previous months’ content. No tools exist for determining scope or audience numbers in quantitative terms. Audience interaction is difficult but !!!Sección A R T E does have an email account which can be contacted with request for topics and materials to be included in future editions.
This month we’ve developed a special !!!Sección A R T E that takes into account these intersections and deviations of El Paquete and The Download. This bilingual edition was produced as part of our ongoing collaboration and as with our other works merges the contexts of our artistic lives in New York and Havana. Julia gathered projects, publications, and announcements by international artists who are familiar to Rhizome regulars—Tyler Coburn, Caroline Woolard, and David Horvitz, to name a few. Nestor gathered material as usual for the section from the Cuban context and beyond, including a special work developed by the brilliant Yonlay Cabrera, whose project !Descargas de todo un poco (2014-2017) is included in the la C A R P E T A =galería= this month. In his project, Cabrera explores the strategies he’s developed since gaining limited access to the internet for the first time five years ago. He shares a largely complete chronological collection of the web material he’s chosen to download amidst constraints on connectivity as a “record of the evolution of my thinking and intellectual development seen through the information I have referenced.”
–Rhizome, January 2018
Julia Weist and Nestor Siré !!!Sección A R T E [No. 11+Rhizome], 2017-2018 Downloadable digital directory of files 4.43 GB