News

2025

Included in Prologue, the Columbus Museum of Art at The Pizzuti, December 13, 2024 – June 1, 2025

Public conversation with Julia Scher at the Columbus Museum of Art, March 14 at 7pm

Aristotle is a skeleton., group show at Moskowitz Bayse, January 14 – February 8

2024

Artistic License published by Triple Canopy

Salon 51: Off the Record panel discussion at the The Museum of Modern Art, December 9 at 6pm

Recent work covered by WIRED and Art Spiel

Op-ed published in the Albany Times Union

Private Eye solo show at Moskowitz Bayse, September 14th – October 19

In residence at Yaddo, June 2024

Interviewed by Nick Vogelson for Document Journal

Solo booth at NADA New York, May 2 – 5

ArtReview screens Informercial, January 29 – February 19

2023

Demonstration is on view at MoMA

The Backend, group exhibition at Montclair State University Galleries, September 14 – December 1

Re: Scott Burton’s Atrium Furnishment, group exhibition at Soft Network curated by Darling Green, May 1 – 20

From the Future is on view at the Art Institute of Chicago through June 26th

Should(n’t) (2020) is acquired by the Guggenheim Museum

Public lecture, Can Art Be Evidence?, at Bard Graduate Center on January 25 at 6pm

2022

Campaign (2022) is on view in Times Square. Read coverage from Artnet

Privacy Creep, group exhibition at Moskowitz Bayse, November 12 – December 22

Video studio visit produced by Topical Cream

Interviewed by Cat Tyc for BOMB magazine

Definitions (2020) is acquired by The Metropolitan Museum of Art

Governing Body solo show at Rachel Uffner Gallery, May 19 – June 18

Work on view at Felix Art Fair (Los Angeles) with Rachel Uffner Gallery, February 17-20

2021

Public Record (2020) is referenced in the New York Times

From the Future (2020) is acquired by the Art Institute of Chicago

The Art Newspaper and Hyperallergic feature Public Record

Limits (2020) is acquired by The Jewish Museum

Role (2020) is acquired by The Queens Museum

Artist talk (virtual) at the NYC Municipal Archives on June 29 at 1pm

International (2020) is acquired by The Pennsylvania Academy of the Fine Arts

Interviewed by Lives Radio Show and the Artists & Hackers podcast

Rubrics (2020) is acquired by the MIT List Visual Arts Center and is installed in MIT’s Hayden Library

Museo de la Democracia, group exhibition at nGbK (Berlin, Germany), April 17 – June 13

Demonstration (2020) is acquired by The Museum of Modern Art

Giuliani (2020) is acquired by The Brooklyn Museum

2020

Artist talk (virtual) at the Art Gallery of York University streamed live December 15, recording here

Proyecto DATA, commissioned by Triple Canopy, is published

Selected for a 2021 Fellowship by the Camargo Foundation, Cassis, France

Public Record, a public artwork within the government of the city of New York, is launched

Read about Public Record in Art in America, n+1The Art Newspaper and Document Journal

Cuba Today: Internet access, El Paquete, and the New Filmmakers, panel discussion at Fairfield University, February 7th

Featured in “Michael Connor’s Decade in (the end of) Internet” on Rhizome

2019

Reach (2015) named one of the 100 artworks that defined the decade by Artnet

News, etc. group show at Galería Moisés Pérez de Albéniz (Madrid, Spain), November 16 – February 29, 2020 + exhibition catalog

New work commissioned by The Shed (New York) on view June 19 – August 25

The Scalability Project, group show at A.I.R. Gallery (New York), June 27 – July 28

Named Public Artist in Residence by the Department of Cultural Affairs & The Department of Records and Information Services, the City of New York

ARCA [archive], solo exhibition in collaboration with Nestor Siré at Galería Gorria (Havana, Cuba), April

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