From the Future (2020) is on view at the Art Institute of Chicago through June 26th
Should(n’t) (2020) is acquired by the Guggenheim Museum
Public lecture, Can Art Be Evidence?, at Bard Graduate Center on January 25 at 6pm

Campaign (2022) is on view in Times Square. Read coverage from Artnet and Document Journal
Privacy Creep, group exhibition at Moskowitz Bayse, November 12 – December 22
Video studio visit produced by Topical Cream
Interviewed by Cat Tyc for BOMB magazine
Definitions (2020) is acquired by The Metropolitan Museum of Art
Governing Body solo show at Rachel Uffner Gallery, May 19 – June 18
Work on view at Felix Art Fair (Los Angeles) with Rachel Uffner Gallery, February 17-20

Public Record (2020) is referenced in the New York Times
From The Future (2020) is acquired by The Art Institute of Chicago
The Art Newspaper and Hyperallergic feature Public Record
(2020) is acquired by The Jewish Museum
(2020) is acquired by The Queens Museum
Artist talk (virtual) at the NYC Municipal Archives on June 29 at 1pm
International (2020) is acquired by The Pennsylvania Academy of the Fine Arts
Interviewed by Lives Radio Show and the Artists & Hackers podcast
(2020) is acquired by the MIT List Visual Arts Center and is installed in MIT’s Hayden Library
Museo de la Democracia,
group exhibition at nGbK (Berlin, Germany), April 17 – June 13
Demonstration (2020) is acquired by The Museum of Modern Art
(2020) is acquired by The Brooklyn Museum

Artist talk (virtual) at the Art Gallery of York University streamed live December 15, recording here
Proyecto DATA
, commissioned by Triple Canopy, is published
Selected for a 2021 Fellowship by the Camargo Foundation, Cassis, France
Public Record, a public artwork within the government of the city of New York, is launched
Read about Public Record in Art in America, n+1The Art Newspaper and Document Journal
Cuba Today: Internet access, El Paquete, and the New Filmmakers, panel discussion at Fairfield University, February 7th
Featured in “Michael Connor’s Decade in (the end of) Internet” on Rhizome

Reach (2015) named one of the 100 artworks that defined the decade by Artnet
News, etcgroup show at Galería Moisés Pérez de Albéniz (Madrid, Spain), November 16 – February 29, 2020 + exhibition catalog
New work commissioned by The Shed (New York) on view June 19 – August 25
The Scalability Project
, group show at A.I.R. Gallery (New York), June 27 – July 28
Named Public Artist in Residence by the Department of Cultural Affairs & The Department of Records and Information Services, the City of New York
ARCA [archive]
, solo exhibition in collaboration with Nestor Siré at Galería Gorria (Havana, Cuba), April

Panel discussion on December 6th at Art Basel Miami
ARCA [archive], installation at Triple Canopy (New York), September 17 – October 28
Offline Browser, group exhibition at the Hong-Gah Museum (Taiwan), October 20 – January 13
Permission to Participate published in Frieze
12th Gwangju Biennale curated by Rita Gonzalez and Christine Y. Kim on view September 7 – November 11
Selected for a New York State Council on the Arts/Wave Farm grant
Artist talk at the New Museum on February 1
New work, !!!Seccion A R T E [No. 11+Rhizome], commissioned by Rhizome for The Download

Press coverage about 17.(SEPT) [By WeistSiréPC]™ in Artforum, Art in America, MousseCuban Art News and Hyperallergic.
17.(SEPT) [By WeistSiréPC]™, solo exhibition in collaboration with Nestor Siré at the Queens Museum (NYC), September 17 – February 18, 2018
View-Through is featured by NPR
En Masse: Books Orchestrated, group exhibition at the Center for Book Arts (NYC), April 21 – July 1
Public project, View-Through, produced in collaboration with O, Miami and Exchange for Change (Miami, FL)

New projects profiled in Frieze
Selected for the 2016-2017 Jerome Foundation Fellowship
Artist project Person of the Day and Tomorrow published by Witte de With Review
Parbunkells at 83 Pitt Street reviewed in Artforum
Awarded the Net Based Audience Prize, by Haus Der Elektronischen Künste (Basel, Switzerland)
Featured as a “Future Great” in ArtReview
Parbunkells,  solo exhibition at 83 Pitt Street (NYC), January 3 – February 1
Know Yourself, group exhibition at The Luminary (St. Louis. MO), January 22 – February 27

Awarded the Outdoor Advertising Association of America’s 2015 Media Plan award
Peekskill Project, group show at The Hudson Valley Center for Contemporary Art (Peeskill, NY), September 27 – December 31
Press coverage of Reach in The New Yorker, Popular Mechanics, Gizmodo and Adweek
Artist profile published by Rhizome
Public artwork, Reach, produced by 14×48
Art in the Age of…Planetary Computation, group show at Witte de With Center for Contemporary Art (Rotterdam, The Netherlands), May 22 – August 23
Included in the publication Artist Novels from Sternberg Press
Featured in “The Exhaustion of Literature,” Mousse Magazine
Artist project “Industry vs Machine” commissioned by CCS Bard for the Red Hook Journal
Closing event and artist walkthrough of Tongue Stones at Pioneer Works, March 8 at 6pm
Featured in “On Our Shelves,” Osmos Magazine
Art in the Age of Social Media, panel discussion, Sotheby’s Institute (Los Angeles, CA)
Tongue Stones group show at Pioneer Works (NYC), January 18 – March 8
Artist book After, About, With published by Arpia Books